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Do I "have" to learn WCS to improve my dancing?

 
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Happy Camper
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PostPosted: Tue Apr 06, 2010 4:21 pm    Post subject: Do I "have" to learn WCS to improve my dancing? Reply with quote

I have been doing Modern Jive for about 3 years now and have been having a wonderful time, meeting lots of great people and my dancing has improved although I wouldn't go so far as to say I'm a good dancer. Recently i have met some people who do West Coast Swing and they have insisted that if I want to improve my dancing I should learn WCS. I have watched a bit of WCS on YouTube and seen people doing it at some freestyles but, quite honestly, it looks pretty boring to me as it seems to consist mostly of the man passing the woman backwards and forwards past him while she gets to do fancy little poses, postures, little steps and hip wiggling. The people seem to be dancing to show off to anyone watching rather than enjoying dancing with each other. Add to this the apparent attitude of some of the WCS people I have met who seem to look down their noses at people who do modern jive, and I don't really have any inclination to give it a try. Am I alone in feeling this?
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Andy McGregor
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PostPosted: Tue Apr 06, 2010 5:19 pm    Post subject: Re: Do I "have" to learn WCS to improve my dancing Reply with quote

Happy Camper wrote:
I have been doing Modern Jive for about 3 years now and have been having a wonderful time, meeting lots of great people and my dancing has improved although I wouldn't go so far as to say I'm a good dancer.
It sounds to me like your Modern Jive is perfect! Modern Jive is a social dance and you sound very sociable - perfect!

There's absolutely no need to improve your modern jive more quickly. That's because it's a journey. And this is a journey with attractive scenery in swishy skirts, glittery tops and fabulous shoes. With scenery like this it's all about the journey, not the destination. Me? I'm dawdling as much as I can Wink

There is a mind-set amongst some dancers that you need to rush headlong into becoming a great dancer. But that's all for competitions and cabarets - I've done them all and been quite successful, but they weren't very sociable, just stressful. Social dancing is all about being sociable. If those WCS dancers you spoke with "seem to look down their noses at people who do modern jive" they are being anti-social. That means they are not good social dancers at all Crying or Very sad

If you really do feel the need to improve your Modern Jive the best way to do so is to get some more Modern Jive lessons rather than learn a completely different dance. Seems obvious now I say it. Of course you could do some Modern Jive workshops. But my advice is to keep up the good work and carry on enjoying your Modern Jive. Having said that, I teach MJ workshops and don't want to make it sound like they are a waste of time (if I can be excused a plug, my next one on Sunday 25th April in Worthing would be perfect for you). But you shouldn't really be doing workshops because some snooty WCS dancers have looked down their nose at you - if that was your reason for doing a workshop I'd rather you didn't come and did something else to improve your self-esteem.
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Happy Camper
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PostPosted: Wed Apr 07, 2010 11:39 am    Post subject: Reply with quote

Andy McGregor wrote:
If you really do feel the need to improve your Modern Jive the best way to do so is to get some more Modern Jive lessons rather than learn a completely different dance.
Andy, thank you for your insights and suggestions. I guess you have been the WCS route already. I hadn't thought my self-esteem was low but I realise that I was beginning to feel like a second-rate dancer because I preferred modern jive. I understand that I shouldn't feel like that and I will attend more classes and a workshop or two and concentrate on improving my jive.
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Andy McGregor
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PostPosted: Wed Apr 07, 2010 12:13 pm    Post subject: Reply with quote

Happy Camper wrote:
Andy, thank you for your insights and suggestions. I guess you have been the WCS route already.
I've done a few lessons and workshops but can't really dance WCS. I dance for pleasure nowadays and Modern Jive gives me all the pleasure I can take.

On the subject of WCS it's a fabulous dance when done well but it is more technical than MJ as it has more rules regarding footwork and where in the 8 count you do your footwork. This means it takes longer to learn and that you will gain a better understanding of the structure of music if you attend WCS lessons. However, if you simply want to improve your MJ you really don't need to learn a whole new dance to understand about bar structure 8 counts or the 8 bar structure of most pop music!

Simon Borland did a nice youtube summary of pop music structure here
http://www.youtube.com/watch?v=oJBdsnObRgI&feature=related

I'm sure you can find other things on youtube which will help you fit your MJ to the music. However, you need to always be mindful that MJ is a fun, social dance and not get too bogged down in technique or counting.
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Nicky
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PostPosted: Wed Apr 07, 2010 2:44 pm    Post subject: Reply with quote

Happy Camper wrote:
Quote:
Recently i have met some people who do West Coast Swing and they have insisted that if I want to improve my dancing I should learn WCS.


I have been dabbling in the dark art of West Coast Swing myself, not because I wanted to improve my dancing, but simply because I fancied having a go at something different, and because I enjoy a lot of the music. Indeed, if you could see my feeble attempts at WCS, you certainly wouldn't think that there was any improvement at all....Far from it! Embarassed

In my opinion, the best way of 'improving' your dancing, if you really feel that it needs improving in any way, is to dance with as many different people at as many different places as you can. Always dancing with the same people can make you complacent, whereas dancing with new people takes a lot more focus and concentration ..... There is no better confidence boost than coming off the dancefloor having danced with a complete stranger thinking, "Wow!!!" Very Happy

Most importantly of all, do whatever works for you....What gives you the most pleasure, the most enjoyment? If you are relaxed and happy, you will dance far better than if you are tense, nervous or frustrated..... It should be fun! Very Happy
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Southern Jiver
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PostPosted: Fri Apr 30, 2010 12:25 am    Post subject: Reply with quote

What Andy and Nicky said. Whatever dancing you do should be "fun". There's nothing wrong with sticking to Jiving if that's what you enjoy. WCS isn't for everyone whereas anyone can enjoy Jiving. There will always be some people who do other styles who will maintain that what they do is in some way better, more "evolved" or superior to Jiving but don't take any notice. Just stick with what you enjoy.
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Bungle
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PostPosted: Mon May 24, 2010 5:53 pm    Post subject: Reply with quote

The simple answer is, no; you don't have to learn WCS to improve your MJ dancing.

That said, I don't think it's a coincidence that many of the most competent MJ dancers have a background of other dance styles before they tried MJ. Of course, that doesn't mean that by learning dance X,Y, or Z your MJ will automatically improve.

I don't do WCS, I can't really be bothered to invest the time, money, or effort unless, or until the scene grows a lot more. However, I do dance Salsa (cross-body style) and Lindyhop. This benefits my MJ in various ways:

1. I am much more aware of the music, swing is 8 beat, so you need to start and finish on beats one and eight respectively. Same for salsa, it is 8 beat, and there is a beat one and a beat five (although some salsa dancers never learn to differentiate between beat one and beat five!). The effect on my MJ is that I listen to the bars in the music and try to fit the moves, this looks much better than just doing it any-old-how. A surprisingly large fraction of modern pop music is still 8 beat.

2. My footwork is much neater and tidier; and I have better balance. Watch a lot of MJ dancers during freestyle and you'll see that their footwork is just a 'mush of movements' that enables them to get the move done. In short it doesn't look good. Other dance styles can help with this.

3. It can give you more confidence to dance on your own, add styling, and explore body movement. For example Lindyhop often incorporates jazz moves and Salsa includes shines.

4. It will slow down the music at MJ. The increased complexity of most other partner dances when compared to MJ will make everything at MJ feel easier.

Of course, there are other ways to improve your MJ in all four of the areas I've described that don't involve learning another dance:

1. Find a truly inspirational teacher and listen carefully to what they tell you.
2. Practice, practice, and practice.
3. Find a dancer you admire, and deconstruct what they do, and why it looks good.
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Andy McGregor
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PostPosted: Tue May 25, 2010 6:22 pm    Post subject: Reply with quote

Bungle wrote:
2. Practice, practice, and practice.
Be careful what you practice. Practice does not make perfect, practice makes permanent.

Therefore you should...

Bungle wrote:
1. Find a truly inspirational teacher and listen carefully to what they tell you.
.. but make sure they are teaching properly and teaching Modern Jive. Some people are inspirational but not very good dancers or teachers. Find someone who is qualified to teach dance or at least has been through a thorough training programme from a proper dance company.

There's a lot of bogus, unqualified teachers out there, especially in Modern Jive. Ask your teacher about their training and qualifications.

Finally, be very careful if you do this ...
Bungle wrote:
3. Find a dancer you admire, and deconstruct what they do, and why it looks good.
That person might not be doing Modern Jive!
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Bungle
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PostPosted: Wed May 26, 2010 8:55 pm    Post subject: Reply with quote

Andy McGregor wrote:
Bungle wrote:
2. Practice, practice, and practice.
Be careful what you practice. Practice does not make perfect, practice makes permanent.


Absolutely! In my experience, unlearning the stuff you learned from poor teaching is much harder than learning it the right way first time.

Andy McGregor wrote:
Therefore you should...

Bungle wrote:
1. Find a truly inspirational teacher and listen carefully to what they tell you.
.. but make sure they are teaching properly and teaching Modern Jive. Some people are inspirational but not very good dancers or teachers. Find someone who is qualified to teach dance or at least has been through a thorough training programme from a proper dance company.

There's a lot of bogus, unqualified teachers out there, especially in Modern Jive. Ask your teacher about their training and qualifications.


Some of my best, and most inspirational teachers were, in my opinion, highly qualified to teach; they just didn't have any bits of paper that said so.

Andy McGregor wrote:
Finally, be very careful if you do this ...
Bungle wrote:
3. Find a dancer you admire, and deconstruct what they do, and why it looks good.
That person might not be doing Modern Jive!


This sounds like the beginnings of a 'What is MJ?' argument.
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Andy McGregor
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PostPosted: Thu May 27, 2010 11:29 am    Post subject: Reply with quote

Bungle wrote:
Some of my best, and most inspirational teachers were, in my opinion, highly qualified to teach; they just didn't have any bits of paper that said so.
I absolutely agree with this. Some of the best teachers have no paper qualifications. Unfortunately, some dreadful teachers also have no qualifications whatsoever.

As a complete novice how can you tell the fabulous from the dreadful when they aren't qualified? The very last thing you should consider is charm and entertainment value. After all, the best con-men are always the most charming.

I'm afraid I have no answer to this one. There's still loads of charming people out there standing on stages around the country peddling their poor dance technique until their students have it in their muscle memory. Some people have been doing it badly for so long they're making bouncing, frame-breaking and stumbling footwork into an art-form.

Bungle wrote:
This sounds like the beginnings of a 'What is MJ?' argument.
I know what Modern Jive is. Modern Jive is what Modern Jive does.

The difficulty it that a lot of Modern Jivers break the basic rules of partner dancing - because a lot of Modern Jive is taught by teachers who have no knowledge of the rules.
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Southern Jiver
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PostPosted: Tue Jun 01, 2010 11:51 am    Post subject: Reply with quote

I have split off the discussion about what makes a good male Jive dancer to a new thread here because I think it is an interesting thread in it's own right - SJ
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Bungle
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PostPosted: Tue Jun 01, 2010 5:42 pm    Post subject: Reply with quote

Andy McGregor wrote:
As a complete novice how can you tell the fabulous from the dreadful when they aren't qualified? The very last thing you should consider is charm and entertainment value.


Dancers learn what's what eventually. I think the problem is most prevalent in areas where there is only one class for miles around. When that happens dancers have no way of comparing.

Another option would be legislation. I dislike red-tape and so I'd prefer that not to happen. Having said that, most fitness centres probably like their fitness instructors to hold the appropriate NVQs, it may be mandated in their insurance policy, or could help them in the event of a personal injury claim.

Andy McGregor wrote:
After all, the best con-men are always the most charming.


Exactly the same as dating then!!!


Andy McGregor wrote:
The difficulty it that a lot of Modern Jivers break the basic rules of partner dancing - because a lot of Modern Jive is taught by teachers who have no knowledge of the rules.


So; what are the rules?

1. Step on the 'on' beat
2. Leaders lead, and followers follow, except when there is a clear two way communication to do otherwise
3. Maintain a sufficient frame to enable leading and following
4. Leaders, don't lead sequences that cause your follower to end up wrong-footed.
5. Followers, don't move in a way that upsets the balance of your partner and causes them to be wrong-footed.
6. Have fun!!!

I'm sure Andy will tell me I've got it all wrong and what the *real* rules actually are!!
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Andy McGregor
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PostPosted: Wed Jun 02, 2010 1:39 pm    Post subject: Reply with quote

Bungle wrote:
1. Step on the 'on' beat
2. Leaders lead, and followers follow, except when there is a clear two way communication to do otherwise
3. Maintain a sufficient frame to enable leading and following
4. Leaders, don't lead sequences that cause your follower to end up wrong-footed.
5. Followers, don't move in a way that upsets the balance of your partner and causes them to be wrong-footed.
6. Have fun!!!

I'm sure Andy will tell me I've got it all wrong and what the *real* rules actually are!!
Great rules. I think I'd put "Have Fun" at 1 & 7 just to make sure people get the message.
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