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What is Modern Jive?
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Southern Jiver
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PostPosted: Thu Apr 23, 2009 11:27 am    Post subject: What is Modern Jive? Reply with quote

A poster on another forum (http://www.cerocscotland.com) asked :
Quote:
Can anyone tell me how Modern Jive actually works or fundamentally what it is? (ignoring the fact that it contains many influences)?


One answer (from Gadget - a long time poster on the Ceroc Scotland Forum) summed it up pretty well for me :

Quote:
Yea; you find yourself a partner. You find yourself some music. You both dance to it.

What makes it MJ rather than anything else? The fact that it is nothing else. Remove the rules that make salsa "salsa". Remove the rules that make tango "tango". Remove the rules that make WCS "WCS". Remove the rules and styling that define a dance as that particular dance and you are left with techniques to move to music, convey intent to a partner, listen to a partner and listen to the music. A common ground between just about all dance styles. Modern jive shares this common ground. The rules and styling used by dancers to dance MJ are a lot looser than most other styles: there will always be notable exceptions to every constraint you put on it.

Ceroc put some boundaries on it for beginners so that you have "moves" with specific movements and timing. But these are just constructs to help teach and learn.

Footwork: 1) Don't fall over. 2) Don't cause your partner to fall over. 3) don't upset your partner's balance. Within that, it's generally a good idea to time the foot's impact on the floor with a beat in the music.
Your footwork should really be determined by the music: 99% of all music played that you will be dancing MJ to will be in 4/4/ time, foot falls normally on every second beat which is one "count". Your weight is transferred from one foot to the other - if you can walk, then you can dance.

If you want to add in tripples, rondes, kicks, slides, taps, flicks, lunges, sweeps, moon-walks,or a little soft-shoe shuffle, then try and keep to the 'marching' timing. but you don't have to.


Comments anyone?
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qdos
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PostPosted: Fri Apr 24, 2009 7:54 am    Post subject: Reply with quote

Wooh pretty good description to me there. I'm definitely one for throwing away rules, anyone who's danced with me will probably have found that out. In fact one of the things I often do with someone I like dancing with is to deliberately throw away the rules and do something a little unexpected. That's really how these dances all started what ever they are called. Otherwise we'd all be doing the Waltz still.

Actually I do have one rule which I very much try to stick to and that's the one that says try and ensure your partner enjoys the dance. That generally takes care of all the rules including the don't fall over one but hey falling over can be fun occasionally too. Hence just the one rule

So to me Modern Jive is having fun with a partner on a dance floor. Doesn't really matter what the dance floor is, it could even be the bakery aisle at Asda

Rather simplistic answer but there you go that's my interpretation of Modern Jive. Smile
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PostPosted: Fri Apr 24, 2009 9:34 am    Post subject: Reply with quote

So in other words, we can summarize MJ down to one simple word:

FUN

Very Happy
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Southern Jiver
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PostPosted: Fri Apr 24, 2009 9:37 am    Post subject: Reply with quote

I tend to go along with your detailed and thoroughly researched analysis also, TeeDee. Laughing
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Sugarfoot
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PostPosted: Fri Apr 24, 2009 4:50 pm    Post subject: Reply with quote

The title of the topic is: What is Modern Jive?

Whilst I understand that MJ/Ceroc is fun…it is not really a definition of what MJ is.

If you where trying to describe to someone who had never seen MJ you would have to come up with more that that. Walking my dog is fun! Kayaking is fun! Many activities that are very different are fun. To simply say something is fun is nondescript. It is a bit like saying so & so is nice.

It is interesting that people think that MJ does not have rules etc. If you want to dance reasonably well you quickly establish the rules of the game so that it is not complete chaos on the floor. A balance of discipline & freedom is necessary in order to establish a connection with your partner. The fun comes as a reward from making something work spontaneously & effortlessly after some disciplined groundwork.
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Southern Jiver
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PostPosted: Fri Apr 24, 2009 4:57 pm    Post subject: Reply with quote

Do you know the meaning of the word "pedantic" sugarfoot?
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Sugarfoot
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PostPosted: Fri Apr 24, 2009 5:59 pm    Post subject: Reply with quote

Southern Jiver wrote:
Do you know the meaning of the word "pedantic" sugarfoot?

Yes thanks SJ. But I do not see that I am overly concerned with minute details if I ask for more than the word 'Fun' for a description of MJ.

As others have pointed out, everytime I try to open up a discussion you seem to want to close it down Confused

OK, I'll be boring and agree with you. MJ is just fun. nothing more to be said on that then.

End of topic.

NEXT TOPIC Laughing
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TeeDee
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PostPosted: Sat Apr 25, 2009 2:20 am    Post subject: Reply with quote

Oh dear SugerFoot - you've been beaten doen on this thread..!

You know the old one - don't let the B*** Bleeeep *** S Grind you down!

He He!

So don't throw the old towel in just yet.

OK. So it was me that summarized MJ as "fun",

Of course there are "rules". Of course we all learn some basic techniques to enable us to express ourselfs on the dancefloor. Even the informal world of MJ comes with those guidelines. But, hey, isn't that what we love about MJ? That they are guidelines and not hard and fast rules?!

Compare an MJ Lesson night to a, um, I don't know, say, tango or ballrooom or pretty much any other dance type.... What is the biggest difference you see?

I'll leave that one with you! Laughing
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Olly
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PostPosted: Sat Apr 25, 2009 4:15 am    Post subject: Reply with quote

Quote:
Do you know the meaning of the word "pedantic" sugarfoot?
SJ - I hardly think that is a fair criticism when you opened up the discussion with a fairly detailed quote on the subject from the Scottish Forum. This is meant to be a discussion about what is modern Jive and I think that Sugarfoot has made a very valid point that 'Fun' does not seperate Modern Jive from other dance forms. I am sure there are plenty of other people who have views/ideas who will refrain from posting if they are going to be viewed as pedantic by the Forum Adminstrator and Moderator simply because they dare to make sensible and well thought out points which is something I, and maybe others, would welcome.
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Southern Jiver
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PostPosted: Sat Apr 25, 2009 7:52 am    Post subject: Reply with quote

Olly, one hat I wear is as Forum Administrator and another as a contributor to the Forum. Both Sugarfoot and I have opinions that tend to be at two opposite ends of the spectrum, namely that I lean heavily towards Jive as I know it and Sugarfoot is heavily into WCS and Tango. One of the reasons Sugarfoot is a moderator here is that I wanted to have someone on board who held divergent views from my own and was able to provide a width of topic to allow others to join in probably somewhere in between the two poles we represent. I think he does an excellent job in that area but I do tend to criticise some of what he posts in the Jive section quite harshly and likewise, he does the same to some of what I say. However, I believe we have a good understanding and neither of us takes it personally. I think it adds flavour to the forum. In this particular thread, some of the comments were meant as "tongue-in-cheek" and, of course, qdos and TeeDee were being a bit humourous and simplistic by summing up Jive as just "fun" and I was agreeing with them on that level. Sugarfoot seemed to want to take it too seriously. Smile I hope that our verbal jousting doesn't put other people off, and on the contrary, encourages other people to join the threads with their viewpoints.
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Olly
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PostPosted: Sat Apr 25, 2009 9:28 am    Post subject: Reply with quote

SJ - I fully understand where you are coming from in terms of your preferences for Jive and that you wear both hats, and I know Sugarfoot does not take your comments personally. All I am saying is, from an outside perspective it does come across that posts from Sugarfoot are shot down purely based on the fact he is involved with WCS, Tango and other non MJ dances. This does not appear to me as 'verbal jousting' particularly as the thread was 4 only posts old and hadn't gone anywhere in terms of discussion which I think Sugarfoot had tried to do with his post. I am with you SJ in the MJ camp, but that would not stop me commenting on other dances I have tried.
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PostPosted: Sat Apr 25, 2009 9:57 am    Post subject: Reply with quote

TeeDee wrote:
Oh dear SugerFoot - you've been beaten down on this thread..!

You know the old one - don't let the B*** Bleeeep *** S Grind you down!

So don't throw the old towel in just yet.

OK. So it was me that summarized MJ as "fun",

Of course there are "rules". Of course we all learn some basic technique
to enable us to express ourselfs on the dancefloor. Even the informal world of MJ comes with those guidelines. But, hey, isn't that what we love about MJ? That they are guidelines and not hard and fast rules?!

I have no problem with the definition of ‘’MJ is fun’’ It is just that on both this thread and another that I started people seem that make that statement as an excuse not to define MJ and put down any attempts to actually put some meat on the bone.

TeeDee wrote:
Compare an MJ Lesson night to a, um, I don't know, say, tango or ballrooom or pretty much any other dance type.... What is the biggest difference you see? Laughing

Actually a class night at MJ is more structured and has more rules than Argentine Tango & WCS. Ballroom defiantly has more rules though. More technique is taught at a WCS/Tango night than at a MJ night, but classes are more structured in a MJ class. This is mainly because of the larger numbers.

In Tango & WCS a teacher will often give you some ideas and let you play with it. The teachers are usually in the middle of the floor and dance with the class during the class. In MJ everyone lines up in neat lines and moves to the commands of the teacher. The teacher is usually on a stage and does not physically interact with the dancers during the class.

IMHO there is more freedom in MJ than say WCS & Tango at the beginning, but once the principles of WCS & Tango are mastered freedom and possibilities are on a level or even greater than in MJ. I would not have believed this myself if I had not learnt these dances.
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PostPosted: Sat Apr 25, 2009 10:29 am    Post subject: Reply with quote

Southern Jiver wrote:
Both Sugarfoot and I have opinions that tend to be at two opposite ends of the spectrum, namely that I lean heavily towards Jive as I know it and Sugarfoot is heavily into WCS and Tango.

SJ, whilst I do very much enjoy WCS & Tango this does not mean that it is to the detriment of MJ. Like you, I am still involved in the MJ scene. I feel that all dance styles have their relative strengths and do not feel the need to trash one in order to enjoy another.

I am genuinely interested in defining all that is MJ and a thoughtful discussion would prove interesting. I might be wrong, but I think that because of my involvement in other dances, some people become defensive and feel that this is an attempt to put down MJ.

Whilst I do try not to take it personally, Olly is quite right when he says that I tend to get put down on this forum because of my involvement when other dance styles. I have even been accused of single handedly causing changes for the worst in the local MJ scene, which is of course laughable.
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TeeDee
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PostPosted: Sat Apr 25, 2009 12:41 pm    Post subject: Reply with quote

Thank you SugerFoot for you well thought out response. I shall take your comments on board...

SJ was right in that my "fun" description was meant to be just light hearted and tounge in cheek....

Moving away (slightly) from rules or structure, the point I was try to make is that (and this is only in my experience, of course) I have found many other dance style classes to have a kind of 'library' atmosphere where it is much more about 'the dance'. I've even been frowned upon for laughing at myself when I get it wrong..! Especially true for Ballroom where I have found that they take it very seriously. I don't have a big problem with this in principle as I accept that I am learning something different in an attempt to broaden my dancing horizons. The comparison though is still clear to me - when was the last time you went to an MJ lesson and got frowned on for laughing?

Hard to put into words without sounding as though I am being critical of anything other than MJ, which is the last thing I want to do.

For me, one of the things that has made MJ so popular is that it offers a good night out where people can socialise and have fun together. The actual dance it not the be-all-and-end-all. We learn a few uncomplicated moves to easy to follow music and can mess about with those simple moves within a very short time frame. And how seriously we take it is left as our own individual choice.

Of topic for a moment - Olly; you posted at 3:15 in the morning and again at 8:30... Do you ever sleep man?!! Laughing
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PostPosted: Sat Apr 25, 2009 1:10 pm    Post subject: Reply with quote

The only time it becomes necessary to 'define' modern jive is if there are competitions and rules as to what moves may and may not be 'legal' have to be made.

The rest of the time it's sufficient to say it is the most recent of a long line of dancing styles which originated in the black dance halls of Harlem in the 1920s. (Constituting moves which were known as 'hops' and which Shorty Snowden called 'Lindy' on the spur of the moment when asked by a journalist 'Whaddaya call that dance, buddy?' Hence 'Lindy hop', after Lindbergh's 'hop' over the Atlantic in the Spirit of Saint Louis.)

It's a loose, partner dance to four-beat music involving predominantly hand rather than body contact and with minimal attention to foot placing.
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